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纪录片《文明》 第151期 初次邂逅（5）
There's a criminal who has been arrested here. 这里有一个被逮捕的黑人罪犯 There are the boatmen, who are ferrying people across the river, 还有黑人船夫 正在渡人过河 but there's also figures like this, this is a black knight, 但
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纪录片《文明》 第176期 进步崇拜（8）
who had the wealth and the foresight to commission this portrait from Lindauer in 1884. 他的远见和财富使他能委托林道尔 在1884年创作这一幅肖像画 Now, what's really significant is that when Lindauer was painting portraits of Ma
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纪录片《文明》 第177期 进步崇拜（9）
Throughout the 19th century,art in many forms was changed by the spreading European cult of progress. 纵观整个十九世纪，各种形式的艺术都被欧洲进步的狂热大潮所改变。 Not only on the furthest edges of Empire... 这种改变
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纪录片《文明》 第178期 进步崇拜（10）
For a younger generation of Parisian artists,the camera was both a challenge and an inspiration. 对新生代的巴黎画家来说 摄影技术既是挑战 也是灵感源泉 They'd turned their backs on the art establishment and its obsessions with
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纪录片《文明》 第179期 进步崇拜（11）
In Caillebotte's vision of a rain-soaked Paris,Haussmann's grand boulevards loom oppressively, as though distorted by a camera's wide-angle lens. 卡耶博特眼中 在被雨水浇得透湿的巴黎 奥斯曼设计的宽广大道在雨中若隐若现
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纪录片《文明》 第180期 进步崇拜（12）
And at the centre of the controversy is the figure at the centre of the painting, the barmaid. 争议的焦点就是画面中心的人物 酒吧女招待 Because there she is in the Folies-Bergere,the most decadent, the most glamorous,the most joyous
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纪录片《文明》 第181期 进步崇拜（13）
People from Asia and Africa were displayed to the public in mock villages... 亚洲与非洲人在仿制村庄中公开展览 Along with their art... 一同展出的还有他们的艺术品 And their architecture. 和他们的建筑 In the heart of t
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纪录片《文明》 第182期 进步崇拜（14）
The first French explorers who had arrived in the 1760s regarded the people they found there as the most content on earth. 十八世纪六十年代 第一批到达的法国探险家 把这座岛上的人视为地球上最幸福的人 They seemed, to
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纪录片《文明》 第183期 进步崇拜（15）
There is melancholy and loss here. 还有愁思与迷失 Gauguin's paintings of the Tahitians were, in one sense,an honest account of the condition in which he found them... 从某种意义上说 高更的塔希提人绘画是对他看到的当地人生
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纪录片《文明》 第184期 进步崇拜（16）
At the turn of the 20th century,Europeans did not generally consider the cultural artefacts of the so-called primitive peoples to be art. 在二十世纪初 欧洲人并不普遍认为所谓的原始人的文化产物称得上是艺术 Yet, they were
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纪录片《文明》 第185期 进步崇拜（17）
What made this picture particularly shocking and revolutionary were the images Picasso combined within it. 这幅画尤为震撼和革新的地方在于毕加索所结合的那些形象 The faces of the three women to the left are believed to be deri
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纪录片《文明》 第186期 进步崇拜（18）
And so, when Europe went to war in July in 1914,few ordinary people questioned the prevailing view of Western civilisation as sophisticated, rational and humane. 于是 当欧洲在1914年7月开战的时候 普通人鲜少质疑 西方文明是成熟
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纪录片《文明》 第187期 进步崇拜（19）
After all, Germany did not have the consolation of victory behind which to conceal the inhumanity that had been unleashed. 毕竟 德国并未得到胜利的慰藉 无法用其掩盖战争所引发的人性丧失 Her war cemeteries, like the art of O
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纪录片《文明》 第188期 进步崇拜（20）
This is the work of a man who was trapped inside his own recurring nightmare. 这幅作品的作者 是一位被自己萦绕的噩梦所困住的男人 Otto Dix and his generation had borne witness to these horrors,but they'd also been witness to the
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纪录片《文明》 第189期 重要的火花（1）
What can art do when horror comes calling? 恐怖来临时 艺术能做什么呢 What can art do when civilisation itself is lost? 文明迷失自身时 艺术能做什么呢 I've been here before, half a century ago. 半个世纪前 我曾来过这里
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