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Renata Tebaldi Dies at 82

 

By David Patrick Stearns / © 2004, as originally appeared in

The Philadelphia Inquirer. KRT. Distributed by TMSI.

 

Opera star Renata Tebaldi, who died on December 19, 2004, represented more than Italian singing at its greatest. In the opera world and beyond, she was the diva of divas.

 

Even in her later years, when the long-retired Tebaldi made courtesy calls in cities of past successes, she created a stir tantamount to that of heads of state. From her 1944 debut to her 1976 retirement, Tebaldi had more than 30 years in the sun.

 

Tebaldi had a musicianship and integrity that firmly places her, artistically speaking, in the post-World War II generation. The downside of her approach was its emotional limitation. In popular arias such as the tragic La Mamma Morta from Andrea Chénier, Tebaldi’s sun-drenched tone didn’t accommodate the despairing bleakness projected by other singers.

 

Performing artists tend to be remembered by the final third of their careers, which, in Tebaldi’s case, is unfortunate. A 1958 filming of the opera La Forza del Destino shows Tebaldi’s acting to be physically stylized with deliberate, old-school gestures.

 

A 1961 film of Tosca catches her breaking character to rearrange her dress. She’s often stationary, and, upon singing a spot-on climactic note, she smiles with the knowledge that she has nailed it. All this is evidence of two life-changing factors: a vocal crisis, from which she recovered, but that seemed to leave her preoccupied with the mechanics of singing—and the aftereffects of her childhood affliction with polio.

 

Like many things in her life, such personal matters were not for the public to know. Though her voice seemed to be a doorway into her soul, it delivered few, if any, elements of autobiography.

 

Vocabulary Focus

tantamount (adj) [5tAntEmaunt] being almost the same or having the same effect as

in the sun (idiom) often in the public eye; well known by the public

stylized (adj) [5stailaizd] represented in a way that simplifies details rather than trying to show naturalness or reality

old-school (adj) [5Euld5sku:l] old-fashioned; relating to traditional ideas or practices

climactic (adj) [klai5mAktik] being the most important or exciting point in a story or situation

 

Specialized Terms

diva (n) 名伶 a very successful and famous female singer

courtesy call (n phr) 礼节性拜访 an appearance or visit done out of politeness or consideration to someone else

aria (n) 咏叹调 a song sung by one person in an opera

 

新闻剪辑

 

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蕾娜塔·提芭蒂

歌剧名伶蕾娜塔·提芭蒂于2004年12月19日去世。她不只代表了意大利声乐的极致,在歌剧世界内外,都是名伶中的天后。

即使在晚年,当退休已久的提芭蒂到过去成功演出的城市作礼节性拜访时,也造成如同国家元首般的轰动。从1944年的初次登台到1976年退休,提芭蒂有30多年的辉煌岁月。

她的音乐才华和正直让她在二次大战后这一代的艺术界中稳稳地占有一席之地。感情表达上的受限让她的表现有所缺憾。在广受欢迎的咏叹调,如安德烈·谢尼埃的悲剧《我死去的妈妈》中,提芭蒂如同沐浴在阳光下的声音,跟其它歌者表现出来的绝望苍凉声音,显得并不协调。

一般来说,表演艺术家较会受到怀念的是他们演艺生涯的最后1/3。但对提芭蒂而言,这段时间反而是不幸的。在1958年《命运的力量》歌剧影片中,提芭蒂的演出在肢体上是制式的,动作拘谨而老套。

1961年《托斯卡》歌剧影片为了表达她极端的角色,而重新安排了她的服装。她常站着不动,唱到一个准确的高音时,她会带着知道自己已经掌握到调子的微笑。这些都证明了两个改变生命因素的存在:一个是声音有危机的迹象,虽然她已经康复了,但却似乎使她只专注于唱歌的技巧中。另一个则是童年小儿麻痹症的副作用。

如同她一生中的许多事情一样,这类私事并未公诸于世。她的声音虽然似乎能引领人进入她的心灵,其实却几乎无法展现任何她生命的真实面貌。

 

 

  原文地址:http://www.tingroom.com/lesson/pengmenghui/26538.html