Mr Bean and M. Hulot（在线收听）

　　William:  Hello and welcome to Entertainment – I'm William Kremer.

　　[FX – canned laughter]

　　Well, the comedy that has made Mr Bean popular around the world doesn't

　　quite work on the radio, since the main character – Mr Bean - doesn't actually

　　say anything. It is what we call visual comedy – jokes that you watch, rather

　　than listen to.

　　This month sees the release of a new Mr Bean film, Mr Bean's Holiday.  It's

　　been a long time since the first Mr Bean film – ten years! But it's been over

　　fifty years since a film with a very similar name emerged from France – Mr.

　　Hulot's Holiday, or to give it its French title, Les Vacances de M. Hulot.

　　We're going to listen to part of an interview with the creator of Mr Bean,

　　Rowan Atkinson. He describes his reaction to seeing M. Hulot when he was

　　seventeen… and he uses two really great descriptive expressions. See if you

　　can catch them:

　　R. Atkinson:  Les Vacances de M. Hulot, I remember, I remember watching when I was

　　seventeen at school and it was a, it was an eye-opening and jaw-dropping

　　experience for me.

　　William:  It was a what…?

　　R. Atkinson:  Les Vacances de M. Hulot, I remember, I remember watching when I was

　　seventeen at school and it was a, it was an eye-opening and jaw-dropping

　　experience for me.

　　William:    An eye-opening and jaw-dropping experience – do you have the image of

　　someone's eyes opening really really wide? Or the lower part of their mouth –

　　their jaw – dropping to the floor? Good! Now think about what might cause

　　this kind of reaction and you'll get an idea of the meaning of these phrases. If

　　something is eye-opening, it makes you think in a new way or opens you to

　　very different experiences. For example, if you travel to another country, that

　　can be an eye-opening experience. We can use this image in a number of ways

　　– for example, 'I went to see an interesting exhibition yesterday; it really

　　opened my eyes to some new things'. Or you might say, 'It was a real eye-opener'.

　　If something is jaw-dropping, it is astonishing or amazing. For example, you

　　might say, 'The Great Wall of China is jaw-dropping'. Or you could say, 'Mt.

　　Kilimanjaro is jaw-droppingly beautiful'.

　　STING

　　William:  So Mr. Hulot's Holiday was an eye-opener for Rowan Atkinson. In the next

　　clip, Atkinson describes what he found so astonishing about the film, which

　　starred and was directed by Jacques Tati. He contrasts the French film with the

　　Hollywood comedies of Charlie Chaplin, Buster Keaton and Harold Lloyd:

　　R. Atkinson:  I mean the very nature of the traditional silent comics in Hollywood – the

　　Chaplins and the Keatons and Harold Lloyd and people – is that what they did

　　was, you know, it was not just visual but physical, you know, lots of stunts and

　　falling over and dancing and… and what I liked about what Jacques Tati did, it

　　just had a slower, sort of more European flavour and tone and pace to it.

　　William:    He said that American comedies were very physical, with lots of stunts and

　　falling over. Physical means, to do with the body, so the Hollywood comics

　　did things with their bodies to make people laugh, like falling over. Jacques

　　Tati, being a European, had a different style. I like the three words that

　　Atkinson uses to contrast M. Hulot from the American films.

　　R. Atkinson:  … it just had a slower, sort of more European flavour and tone and pace to it.

　　William:  Flavour, tone and pace. When we talk about tone in art, we usually mean a

　　work of art's underlying emotion or feeling. For example, we can say that

　　something has 'an optimistic tone', 'a serious tone', 'a happy tone' and so on.

　　The word flavour, we usually use to describe the way something tastes – e.g.

　　'The sauce had a spicy flavour'. Rowan Atkinson is using the word to mean

　　something similar to tone – the flavour of the film means the overall feeling

　　that the film gives the audience.

　　Pace is simpler. The pace of a film means how quickly things happen. If the

　　story moves very quickly it has a fast pace, and if it moves very slowly, it has a

　　slow pace.

　　European films, of course, have a slower pace than American ones. Rowan

　　Atkinson says that the new Mr Bean film is much closer in tone to European

　　films like Mr Hulot's Holiday, than American ones.

　　R. Atkinson:  And, and what I liked about what Jacques Tati did, it just had a slower, sort of

　　more European flavour and tone and pace to it. And that I think is, is, is what

　　distinguishes Mr Bean's Holiday from the first Mr Bean movie – is that I think

　　it is something which is far more European in tone, whereas the first movie

　　was definitely American.

　　William:  So – whether you like Mr Bean's Holiday as much as the first Mr Bean film

　　will depend whether you like films with a fast pace or a slower one, with an

　　th

　　American tone or a European one. It's released in the UK on 30  March.

　　Remember that you can download this programme, and hear today's

　　vocabulary again by going to the Entertainment website on BBC Learning

　　English dot com. Goodbye.