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The Reading Group
Part 1
This programme was first broadcast in 2002.
This is not an accurate word-for-word transcript1 of the programme.
ANNOUNCER:
You’re listening to “The Reading Group” from the BBC World Service. In this series we bring
together listeners, students of English, literature teachers and other contributors from the
world of books to share their enthusiasm for reading. We hope that following this series will
encourage your own interest in reading books in English as a foreign language.
Gary (Presenter):
Hello. I don't know if you remember the moment you first realised you could
read - I can't - but for the Argentinian writer, Alberto Manguel, it was a
dramatic event.
Insert 1 – from A History of Reading by Alberto Manguel
One day, from the window of a car I saw a billboard2 by the side of the road. The sight couldn't
have lasted very long, just perhaps long enough for me to see large and looming3, shapes similar
to those in my story book, but shapes that I had never seen before. And yet, all of a sudden, I
knew what they were, I heard them in my head. They metamorphosed from black lines and
white spaces into a solid, sonorous4, meaningful reality. Since I could turn bare lines into living
reality I was all-powerful – I could read.
Gary: From Alberto Manguel's A History of Reading. This book is a wonderful
account of our love affair with written words, from the first known writing -
marks made in tiny clay tablets over six thousand years ago in the Middle East -
to today's electronic media.
The enjoyment5 of reading is the subject of this series, in particular, the
enjoyment of reading books in English as a second or foreign language. We'll
also offer strategies for improving your reading, and we’ll give details of how to
contact us at the end of each programme.
Gary: We begin today with a discussion about what it feels like for students to read in
English and how to deal with some of the difficulties.
Annemarit van der Made is from the Netherlands where she graduated recently
from the University of Technology in Delft. Hello
Annemarit: Hello. One of my earliest memories of books date back to my first school days,
coming home, having a cup of tea while my mother was reading me a book.
Gary: Adrian Sack is a journalist from Argentina. Hello.
Adrian: Hello …I’m working here in London as a freelance reporter for one of
Argentina’s newspapers, La Nation. I’m also writing a history book in
Spanish.
Gary: And our third guest is Jeremy Page.
Jeremy: Hello …I’m the Director of Studies at International House, a language school
in London. I’ve written several English language teaching course books and
I’ve also published poetry and short stories.
Gary: Adrian and Annemarit, questions for you first.
What kind of books do you enjoy reading in English?
Annemarit: I enjoy several kinds of books. I like romances, crime, fiction and short stories.
I recently read Joanna Harris books. They are novels and I think she is very
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good at describing scenery and personal behaviour. When something very
exciting happens I really feel like telling the character, don't do this or don't do
that. I can be swallowed by the book.
Gary: What about some of the problems of reading in a different language? Adrian.
Adrian: Well, the two main problems are the lack of vocabulary and the trend to lose
the concentration when I read for long due to the extra effort I have to make
when I read.
Annemarit: Well, I agree with Adrian that it's more difficult to stay focussed on a book for
example when you're tired and I am reading an English book it's more difficult
to stay focused, and apart from that some writers use slang that I'm not familiar
with, and when I read Jane Eyre - I read it recently - this book has been written
150 years ago and sometimes they put the words in a different order so that was
interesting but it was confusing at times.
Gary: Let’s bring Jeremy into the conversation now. Jeremy, in your experience, do
you find that what Annemarit and Adrian have described are typical problems
for learners of English when reading in English?
Jeremy: Very much so, yes. The key problems that most readers experience are to do
with unknown vocabulary and the length of the text. The critical issues are
selection of text in the first place – I think for most readers it makes no sense to
choose something that you would never dream of reading in your own
language, and secondly6 length is a critical issue as well, that it can be difficult to
maintain focus and motivation. Generally speaking, texts up to 200 pages are
fine, but texts longer than that require a degree of commitment that can be quite
difficult to sustain.
Gary: What advice do you have for students for dealing7 with unknown vocabulary?
Jeremy: It's interesting that should be raised because at the moment I’m going through
something similar with my son who is nine – who’s reading Harry8 Potter. He is
coming across a lot of vocabulary unknown to him and what I’ve been
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suggesting that he do is try to make a judgement about vocabulary - words that
he really needs to know, words that would be helpful for him to know and
words that he doesn’t really need to worry about. For students of English,
typically they will be accustomed to being told by teachers 'You don't need to
understand every word.' In my experience students often look a bit sceptical
when they’re told "you don’t need to understand every word" in the classroom.
When you are reading a text on your own, in isolation9 it can be difficult to come
across a large number of words completely unfamiliar10 to you - but I would say
– if you feel constantly in need of checking words in dictionaries the selection
of text has been wrong in the first place. The text is too challenging it's too
difficult. Going to the dictionary all the time, destroys the pleasure of reading.
Gary: Thank you. I’ll be asking you for some more advice later, Jeremy.
Now before this series began, we asked users of the BBC’s Learning English
website to share their views on reading. And what stands out in their messages
is that classic books – especially those written in the 19th Century – such as
“Jane Eyre” by Charlotte Bronte and “Great Expectations” by Charles Dickens
– are especially difficult because of the style and complex plots!
This view is echoed by readers in Moscow, where we go now.
Reading Group reporter Dasha Pushkova has been to the planning meeting of
an English language newspaper, published in the Russian capital. The editorial
team are discussing an issue about reading books in English.
Insert 2 – Russian reading group package
Dasha (Reporter):
I am in the editorial building of a newspaper called “English” - it promotes the
language, gives tips and helps students with difficulties they might have while
learning English. I’m here to meet a group of young enthusiasts11 who are
members of the “Y.E.S Club” - which stands for Youth English Section.
They write their own page in the newspaper. For these young people it’s a
chance to improve their language, read in English and to talk about the books
they’ve been reading.
Today’s planning meeting is devoted12 to some of the difficulties of reading in
English - and how to inspire the subscribers of the newspaper to read in a
foreign language.
Female: We should make our readers believe that it's much more interesting and much
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more really important to read English literature in original, because in Russian
it's just a totally different thing.
Male: Last summer I read The Lord of the Rings by JRR Tolkien for my pleasure
because I like this book. Many years ago I read it first and I didn't have
possibility or frankly13 speaking the desire to read it in English. Last summer I
decided14 that if you like a book written by an English author you should read it
in English. That's why I made this effort, I read it and I understood the meaning
and the plot of the author much better than when I read it in Russian.
Dasha: The editorial team agrees that there are many benefits to be gained from reading
an English book in the original language but one of the major problems that
readers face concerns the choice of vocabulary.
Female: Slang and some peculiarities15 of the country. For example, Breakfast at Tiffany's
by Truman Capote. It's full of such things. Fortunately I had a kind of
vocabulary in the end of the book, some names of the streets and magazines and
newspapers and shops which I didn't know.
Female2: It's the author's style of writing. For example Dickens's books are very difficult
for me and I prefer reading them in translation because I think that there are
certain things that escape from our understanding and that is the major difficulty
that we can encounter when we read books in original.
Dasha: But whatever the problems, Aliona believes that it's important to discuss what
you've just read with other readers. It might help you to understand the book's
themes and it certainly makes the pleasure last longer.
Female: We do discuss it and I think it's an important thing for evaluating new ideas
after reading the book you can think it over and over because for me the most
important thing is to think after the book.
Gary: Some comments there about the value of reading books in the original
language and also about taking the opportunity to discuss what you read with
other keen readers. Jeremy.
Jeremy: I think that's very interesting and significant. I'm sure that's why reading groups
have become so popular in Britain and a lot of other countries. Reading is a
rather solitary16 activity and I think the pleasures of reading are better shared and
I'm sure that communicating your enthusiasm for something you've read means
that you will inevitably17 have a greater appreciation18 of what you've read and
perhaps greater motivation to read more.
bbclearningenglish.com
Gary: Now, for every edition of The Reading Group, we’ve asked an author of
books for students and teachers of English Literature to share their thoughts on
the pains and pleasures presented by reading.
Gillian Lazar joins us today – she’s a Senior Lecturer at a British University and
an enthusiastic member of a book group herself! In her talk, she considers why
we read, and offers some suggestions on how to share our enjoyment with each
other.
Insert 3 – Gillian
Gillian: Every two months or so, in a London suburb, a group of women have a
meeting. They laugh a lot, talk excitedly and sometimes disagree quite strongly
with each other. Every few days a 12-year old boy goes on the internet and
writes a story about the character from his favourite（特别喜欢的） children’s novel. Within a
few days, other children, all over the world, have read his chapter on the
internet.
Both the 12-year old and the group of women have something in common –
they all enjoy reading books, and they want to share this pleasure and delight
with other people. The women are part of a reading group; the boy is making
use of a fan fiction（小说） website that encourages people to write stories about their
favourite fictional19 characters.
It’s often been said that reading a book is like having a conversation. And it
seems that many people want to continue that conversation once they have read
the book. Reading groups are one way of doing so. Typically, a reading group
consists of six to twelve members who meet regularly to discuss a book they’ve
all read. Reading groups take place in private homes, in libraries, in chatrooms
on the internet. Reading groups read contemporary novels or the classics. And
reading groups may even specialise in science fiction or romance, haiku or the
crime novels of Dick Francis.
So why such enthusiasm for reading? A lot of reading we do is for information
– to find out the times of a train, to discover what’s on a menu. But we also
read because it satisfies our need for a good story. We try to make sense of our
world by reading stories about it. In the past, reading was often a more social
activity than it is today – those who could read, read aloud to those who could
not, and everybody shared the stories… Stories which gave insights into the
mysterious complexities20 of human experience.
So perhaps that’s why reading groups are so popular today. They enable people
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to share stories, and to see how other people’s responses to a story differ from
their own. And from this sharing of stories, people form common bonds of
friendship and community.
Gary: Gillian Lazar, thank you. Next time, we’ll be finding out how to be a good
“book detective”!
ANNOUNCER:
And that brings us to the end of today's programme. If you'd like to share your reading
experiences, you can join our BBC Learning English group on Facebook. We'll have topics on
the Discussion board linked to the subjects covered in The Reading Group programmes. So,
until next time, happy reading!(本文由在线英语听力室整理编辑)
收听单词发音 |
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| n.抄本，誊本，副本，肄业证书 | |
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billboard
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| n.布告板，揭示栏，广告牌 | |
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looming
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| n.上现蜃景（光通过低层大气发生异常折射形成的一种海市蜃楼）v.隐约出现，阴森地逼近( loom的现在分词 )；隐约出现，阴森地逼近 | |
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sonorous
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| adj.响亮的，回响的；adv.圆润低沉地；感人地；n.感人，堂皇 | |
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enjoyment
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| n.乐趣；享有；享用 | |
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secondly
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| adv.第二，其次 | |
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dealing
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| n.经商方法，待人态度 | |
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harry
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| vt.掠夺，蹂躏，使苦恼 | |
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isolation
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| n.隔离，孤立，分解，分离 | |
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unfamiliar
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| adj.陌生的，不熟悉的 | |
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enthusiasts
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| n.热心人，热衷者( enthusiast的名词复数 ) | |
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devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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frankly
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| adv.坦白地，直率地；坦率地说 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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peculiarities
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| n. 特质, 特性, 怪癖, 古怪 | |
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solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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inevitably
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| adv.不可避免地；必然发生地 | |
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appreciation
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| n.评价；欣赏；感谢；领会，理解；价格上涨 | |
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fictional
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| adj.小说的，虚构的 | |
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complexities
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| 复杂性(complexity的名词复数)； 复杂的事物 | |
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