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(单词翻译:双击或拖选)
ARI SHAPIRO, HOST:
In the new novel "The Lager Queen Of Minnesota," it is never quite clear who is the queen of beer. There is nothing royal about any of the characters. Take working-class grandmother Edith Magnusson. We meet her on the first page.
J RYAN STRADAL: (Reading) Edith, for one, had never been anywhere different or ever truly had a break of any kind. But then again, she never intended to take one. Things were pretty decent where she was, and she didn't ever see the point of bellyaching about the things she couldn't change, especially in a world that never once ran a want ad looking for a complainer.
SHAPIRO: That's novelist J. Ryan Stradal. The book follows Edith and the women in her extended family as they manage ambition and their own expectations. Stradal told me most of his characters are composites of the people he grew up with in Minnesota.
STRADAL: Edith has a few other influences as well, but there's a lot of my mom. My mom's in a lot of the characters.
SHAPIRO: People who say neat and dang and who are a little bit afraid of things that are a little bit different.
STRADAL: Yeah and not the kind of character I was seeing in a lot of contemporary fiction, so I felt really compelled to write her.
SHAPIRO: It's funny because there is something so quintessentially American about this kind of Upper Midwestern character, but you're right, that I don't think I've seen these people in other books.
STRADAL: They contain multitudes just like everyone does, only they don't toot their own horn about it.
SHAPIRO: Just because I love this character Edith so much, will you read one other passage? This is from the first time she tastes an IPA, a hoppy1 kind of bitter beer.
STRADAL: Oh, my God, I love this part. Hold on. Let me see if I can find it. Oh, yeah, OK, I got it. Yeah. (Reading) She held the bottle to her lips and tilted2 slightly. It tasted like how she'd imagined dirt would taste if someone burned it on the grill3. Nope, she said and handed the bottle back.
SHAPIRO: (Laughter) This is just, like, so appealing and likable and set in her ways.
STRADAL: I mean, I feel like that's how she'd explain it. You know, she wouldn't describe it as hoppy or bitter or having citrus notes. She'd say, no, that tastes like dirt burned on the grill.
SHAPIRO: Dirt burned on the grill. I feel like when I read books that have characters like this, they're portrayed4 in ways that are kind of two dimensional or patronizing. Are you writing this in defiance5 of that? Like, does that get your hackles up? Is this your, like, rebuttal to those characters?
STRADAL: (Laughter) It's a rebuttal, but it's also an assertion. I don't feel like I write purely6 out of making an argument. I write to answer questions. And a huge part of what inspires me to write these characters is me figuring out how they became who they became in real life and inquiring more about the complexity7 of these people. I mean, one of the things that I experienced growing up in the Midwest was it took a while to find out how complex people were. You know, people, like I said, they often didn't toot their own horn or reveal a great deal about their history. Like I represent in the book, you could live next door to someone who was a World War II veteran and not know about it for 10 years.
SHAPIRO: Yeah. It's this idea that simple folk aren't necessarily so simple.
STRADAL: Right. Right. They might appear simple just because they represent themselves simply. Like, their value system instructs them to keep it simple when communicating with others. But that certainly doesn't mean that they don't contain a great deal of complexity and intelligence and wonder. And I saw that growing up, and I really wanted to write characters that mirrored that.
SHAPIRO: Almost all of the characters in this book are women. Why did you as a male author want to write a book that is so focused on female characters?
STRADAL: Well, I have one reader in mind when I write, and that's my mom. She'd wanted to be a writer herself, and she raised me to be a writer. She'd gone back to college to get an English degree when I was a little boy, and she'd read her homework assignments to me as bedtime stories. And, you know, growing up in that house, it was hard not to want to be a writer. And she passed away almost 15 years ago and has never read any of my published work. My first short story was published a few months after she died. So I feel I write to honor her legacy8 as a writer and as a influence and also to keep her alive in my heart. And that's why she ends up in so many of the characters.
SHAPIRO: Yeah. I was going to say there are so many Midwestern grandmother and mother characters all throughout this book. And I can imagine each one of them carrying, like, a little glowing piece of your mother in their hearts.
STRADAL: Yeah, yeah, yeah. It's one way I think about her every day is to write for her and put her in my characters.
SHAPIRO: There's a line where you write it was like a man to scratch his name on the banister of history. But Helen had come to believe that it was better to be the stairs.
STRADAL: Mmm hmm.
SHAPIRO: It sounds like your mother was the stairs.
STRADAL: Oh, very much, yeah, and certainly for me, certainly someone who led by example. I mean, one of the things I really enjoyed seeing in both my parents is how eagerly they took on second acts in their lives. Both of them went back to college as adults and got careers they really loved. And that was very inspiring to me as a kid to see parents, you know, who had dropped out of college, you know, partially9 to start a family, you know, and return to college and demonstrated to me that, oh, you know, you're never done evolving. You're never done changing.
SHAPIRO: And so you set this book in the world of beer making, which is a traditionally male-dominated field with some prominent exceptions. But what appealed to you about writing the story of women in the world of beer?
STRADAL: I feel as a novelist my impulse is a little utopian (laughter). I like to write the world I want to see exist.
SHAPIRO: There's something so appealing about women not just kind of dipping their toe in a world that isn't always welcoming to them but also them, like, dominating it (laughter).
STRADAL: Oh, right, right, right. And that was a lot of fun to write. I've seen that in my own life, and I wanted to reflect that in the world of brewing10 because as I was touring the country, I visited over three dozen breweries12...
SHAPIRO: Wow.
STRADAL: ...Doing research for this book. The women I met working at these breweries were really inspiring, and there are organizations like the Pink Boots Society that aim to establish mentorships to bring more women into the industry. And I do mention them in the book, but I also wanted to write about a female brewer11 that was very self-directed and when it came time for her to make hiring decisions was very thoughtful about where she came from in terms of mentoring13.
SHAPIRO: You dedicate the book to Doris and Esther, grandmothers who could, and did.
STRADAL: Yes.
SHAPIRO: What did they do?
STRADAL: Wow. Well, Doris was instrumental in my young life by taking me to libraries. I'd go up to the cities to visit my grandparents, and they'd drive me to the coolest, biggest libraries in Minneapolis.
SHAPIRO: Do you mean temperature coolest in a hot summer?
STRADAL: (Laughter) No. Coolest in terms of book selection.
SHAPIRO: Oh, OK.
STRADAL: Yeah. I was really into dinosaurs14 and the Greek mythology15 and the presidents, and the libraries in Minneapolis were just a world apart. And I thank Doris so much for taking the time to help me pursue those interests and indulge me as a reader. And Esther was a huge inspiration in terms of her work ethic16. This was a woman who is still reshingling her own roof in her 70s (laughter).
SHAPIRO: Wow.
STRADAL: Yeah. She put a lot of elbow grease into everything she did and, you know, was a farm woman, you know, had nine children over 25 years and, yeah, really set a great example for me in terms of work ethic and also keeping your head down and not complaining.
SHAPIRO: Just getting in touch with my own Fargo roots, I'm tempted17 to say, what a neat book.
STRADAL: Oh, thanks (laughter). Yeah. Yeah. It's pretty decent. It's pretty decent. Yeah (laughter).
SHAPIRO: J. Ryan Stradal - his new book is "The Lager Queen Of Minnesota." It's been great talking with you. Thank you.
STRADAL: Thank you, Ari.
收听单词发音 |
1
hoppy
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| （指海洋）波浪起伏的 | |
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2
tilted
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| v. 倾斜的 | |
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3
grill
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| n.烤架，铁格子，烤肉；v.烧，烤，严加盘问 | |
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4
portrayed
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| v.画像( portray的过去式和过去分词 )；描述；描绘；描画 | |
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5
defiance
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| n.挑战，挑衅，蔑视，违抗 | |
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6
purely
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| adv.纯粹地，完全地 | |
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7
complexity
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| n.复杂(性)，复杂的事物 | |
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8
legacy
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| n.遗产，遗赠；先人(或过去)留下的东西 | |
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partially
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| adv.部分地，从某些方面讲 | |
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10
brewing
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| n. 酿造, 一次酿造的量 动词brew的现在分词形式 | |
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brewer
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| n. 啤酒制造者 | |
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breweries
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| 酿造厂，啤酒厂( brewery的名词复数 ) | |
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13
mentoring
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| n.mentoring是一种工作关系。mentor通常是处在比mentee更高工作职位上的有影响力的人。他/她有比‘mentee’更丰富的工作经验和知识，并用心支持mentee的职业（发展）。v.（无经验之人的）有经验可信赖的顾问( mentor的现在分词 ) | |
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14
dinosaurs
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| n.恐龙( dinosaur的名词复数 )；守旧落伍的人，过时落后的东西 | |
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mythology
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| n.神话，神话学，神话集 | |
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ethic
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| n.道德标准，行为准则 | |
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tempted
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| v.怂恿（某人）干不正当的事；冒…的险（tempt的过去分词） | |
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